It could be said that Kyoto has an embarrassment of riches in terms of the number and variety of Buddhist temples located within this ancient and culturally rich city. At one end of the scale one may come across small local temples, most often found when wandering the streets and at the other end of the spectrum are the large sprawling temple complexes such as Myoshin-ji in Kyoto’s north-east.
These large temple complexes are always impressive given their scale, yet each varies in character. For example, if I think of Kyoto’s Tenryu-ji (https://johnliddlephotography.com/2014/02/11/tenryu-ji-kyoto/) I think of generations of monks working tirelessly to create a serene environment. On the other hand, Nagano’s Zenkoji Temple (https://johnliddlephotography.com/2016/02/06/zenkoji-temple/) conjures images of a warring and bloody history. Myoshin-ji is different again with its feeling of community with many of the sub-temples serving also as residences and members of the local community simply “hanging-out” within the temple grounds.
Estimates of the number of sub-temples within the complex range from 38 to 50, with most closed to the public. Nevertheless, many front gates are open or ajar to offer visitors a glimpse of what lies beyond, a la the opening photograph “Peek-a-boo”. Meandering through the complex’s laneways is a delightful way to gain an appreciation of this very Buddhist community and I suspect I may have inadvertently wandered into a few of the “off limits” sub-temples such as Nehando where I came across the entrancing Jizo statuary shown at pics 8 to 11. Sometimes one’s poor language skills can be an advantage!
The other images demonstrate, in my opinion, how splendour can manifest in different ways. The images (pics 2 to 7) of the main Myoshin-ji buildings (the Butsuden and the Hatto) are further examples of the solid Japanese architecture typical of major traditional temple buildings. These buildings sit so solidly into their environment as to appear immovable and evoke feelings of calm and serenity. Elsewhere in the complex one finds the highly popular Taizo-in Temple, much admired for its beautiful gardens (pics 12 to 17) that similarly evoke feelings of calm and serenity, albeit by different means. I felt fortunate when the smartly dressed people wandered into the shot (pic 15), thus giving the image a rather timeless feel and one hopes that the final image has indeed become a precious memory for the elderly and young person mesmerized by the Japanese Koi fish.
(Please click on any of the following images for an enlarged view.)