johnliddlephotography

Frozen moments from the infinity that is time


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Homeless in Tokyo

When travelling it is easy (and not at all unreasonable) to seek out pleasurable experiences and pay little attention to social issues that may be of greater concern to us in our home cities.

Homelessness is an issue that seems to be common across all countries and the more highly developed and relatively affluent societies such as Japan are not exempt. This may come as a surprise given Japan’s homogeneity in class terms where it is estimated that more than 90% of Japanese people are deemed to be middle-class. In many other western societies, a rate of 90% would be considered a thing of the past and an unattainable dream in today’s world where western governments are disproportionately influenced by corporate rather than societal concerns.

Nevertheless, people fall through the cracks in all societies and it is estimated that Tokyo alone has more than 5000 homeless – mostly men over 40, many of whom are likely victims of changes to Japan’s corporate culture where Salarymen (and women) can no longer assume that loyalty will be rewarded with jobs for life.

I did not seek out photographs of the homeless, though with the benefit of hindsight it would have been an interesting project. One must be sensitive to individuals’ needs and for this reason I tended, in most instances, to resist taking such shots. However, in terms of general observations, I was never troubled or approached for money by homeless persons in Japan, something that certainly does not apply in my hometown. It was also noticeable that they were, in effect, not noticeable on city streets, at least during the day. One would encounter homeless people sleeping rough around subway stairs at night, but during the day I mostly came across the homeless in parks, where they would sit quietly and contemplatively on the benches. Their possessions would, for the most part, be stowed away in less obtrusive areas of the park.

The convention seemed to be that people leave the homeless alone and vice versa. Whether such mutual respect and tolerance will continue if the issue worsens is difficult to predict. In fact, the only time I recall seeing the homeless openly express some anger was in Kyoto prior to a long holiday weekend when the police were not allowing the homeless to settle in the vicinity of Kyoto Station.

All the selected shots were taken in parks; some in Ueno Park – a very popular recreational area, particularly at weekends when families flock to visit the nearby zoo, galleries and museums. Others were shot in a smaller park across the road from Tokyo’s billion-dollar Metropolitan Government Building, an irony impossible to ignore. Indeed, pic 3 shows a rather forlorn homeless person resting within the forecourt of the Government Building.

Of the other images I wish to comment on only the first (pic 1) and the last (pic 10), in that I personally consider these images to be the most powerful. When I shot Bed is a Park Bench (pic 1) and checked the image on my camera’s screen, my first instinct was to adjust the exposure and shoot a second image. Fortunately this instinct was quickly replaced by the realisation that the image was far more powerful as shot and did not require a face to communicate the hardships faced by homeless persons. Similarly, Not Quite Alfresco Dining (pic 10) shows a person who has seemingly become inured to eating most if not all their meals in public view and foregoing the dignity that we take for granted.

If this subject and/or images have upset anyone, I do apologise, but the subject is real and alive wherever we live and I hope this post will encourage viewers to pause and reflect.

(Please click on any of the following images for an enlarged view.)


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Contemporary Architecture in Japan

We depend on buildings for so many aspects of our daily lives such as shelter, safety and places of work, study and recreation to name a few. They are perhaps the most dominant mark that humankind has made on the planet and all buildings, regardless of size or function, started as an idea in someone’s mind. Architecture gives form to these ideas and when we travel to new places, we bring with us a natural curiosity about the architectural forms we will encounter.

So it was with my visits to Japan and although I was probably more interested in Japan’s older and more traditional buildings, I also found much of interest in its more contemporary architecture. In my last post on Shinjuku I featured a few examples, two of which are shown again here along with other selected buildings.

I have chosen to open the post with two shots (pics 1 and 2) of the Nagasaki Atomic Bomb Museum as a reminder of Japan’s diligent and ongoing commitment to world peace and as a reminder of the extensive rebuilding that was required post-war. The domed glass roof shown in pic 1 reminds me of Hiroshima’s famous domed building that stands as a monument to the horror and folly of atomic war. Similarly, the striking shadows at pic 2 invite visitors to the museum to contemplate past events as they wend their way down to the museum via the gently curving walkways.

Also utilising a lattice structure, the aptly named Mode Gakuen Cocoon Tower (pic 3) in Shinjuku houses three tertiary educational institutions (as identified in my previous post). To the bottom right of the photograph one can glimpse the adjoining dome structure, which, viewed at street level, is reminiscent of a golf ball half buried in a bunker. I’ve never really thought of buildings as “eye candy”, but this particular building jumps out and demands to be viewed.

Not far away, also in Shinjuku, one finds the towering Tokyo Metropolitan Government Building (pics 4 and 5). This truly is a colossus and although I did not find it very appealing aesthetically, its scale commands attention. The more visually appealing part of the complex is the semi-ringed structure shown at pic 2, itself of considerable scale as can be gauged from the solitary figure traversing the forecourt. Although it is an illusion I like the way the forecourt appears to be sloping away from the building.

Probably what most surprised me about Tokyo’s commercial towers was their scale and solidity. Compared to skyscrapers in cities such as New York and Chicago, the buildings in Marunouchi opposite Tokyo Station are not particularly tall. However, they sit so solidly on the ground to appear unshakeable, thus bearing witness to how architects have designed buildings to survive in an earthquake ravaged land.

As a demonstration of scale, one of my favorite shots is that of the three glass towers (pic 7), which was shot from a viewing area atop the Kitte Shoka shopping centre. The solitary figure highlighted at street level (bottom right of shot) hints at our physical insignificance, yet we must remember we are looking at the product of human imagination and construction.

Tokyo’s tallest structure is Skytree (pic 8), which, like other tall structures dominates the skyline. I recall one day being in Ueno and on impulse deciding to walk to Skytree. No maps or GPS navigation was required. All I had to do was look up and follow my nose. The structure is so dominant it did not even allow one the excuse of practicing Japanese by asking for directions. During that walk I took many photos along the way with Skytree in shot and perhaps I will post a “Finding Skytree” blog at some stage.

I mentioned Kitte Shoka a moment ago, which is a relatively new shopping centre directly across from the Marunouchi entry to Tokyo Station. As shown at pic 9, the internal design is interesting with the shops arranged on several floors following a triangular layout.

One of Tokyo’s most striking buildings is the Tokyo International Forum (pics 10 to 12) located near the boundary of Tokyo’s CBD and the Ginza shopping district. The building functions as a convention and exhibition space and is the outcome of the first international architectural competition held in Japan in 1989. Inside the building is especially magical and teases visitors to open their imaginations. Designed in the shape of a sailing boat, one could equally imagine being Moby Dick swallowed by a giant whale, or even being held within an inter-galactic spaceship.

To conclude this post that, in reality, has not even scratched the surface of contemporary Japanese architecture, I have chosen three smaller scale structures. Pic 13 can be found in Ginza and is included simply for its elegance and distinctly Japanese aesthetic. At pic 14 I have shown an external staircase attached to the FUJI television headquarters building in Odaiba because, for some reason, I felt compelled to include something brutal. In my opinion this staircase met that need. Finally, the vertical garden at pic 15 seemed an apt way to acknowledge that there is always room for nature amidst the concrete and steel.

(Please click on any of the following images for an enlarged view.)