johnliddlephotography

Frozen moments from the infinity that is time

Greater Nanzen-ji (Kyoto)

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For me the starting point of a visit to Nanzen-ji is when one walks through the short pedestrian tunnel under the Keage incline, which, in the springtime, is awash with cherry blossom.  Continuing down the lane past some wonderful residences, one finds the Konchi-in temple, which has occupied its present location since 1605.

Kyoto is famous for its temples and each temple seems to have a character of its own and when I think of Konchi-in I think of harmony.  Passing through a torii gate as in pic 1 invites reflection and in this photograph I see the harmony of imperfect perfection.  Although the plantings are precise and ordered, the gardeners have followed nature’s lead.  Similarly, the seven-leaf maple cascading over the roof tiles (pic 3) matches the pattern on the circular ends of the tiles.  Finally, even the addition of an electric light fitting above the centuries-old temple door (pic 4) blends with the overall aesthetic of the gloriously weathered colours.

Continuing on to the greater Nanzen-ji complex and passing through the Sanmon Gate (refer to my last posting), one comes across the imposing Hatto Hall.  Unfortunately this lecture hall is not open to the public.  A later addition (in 1890) to the Nanzen-ji complex is the Suirokaku Aqueduct, which appears more Roman than Japanese and is part of the Lake Biwa Canal, which continues to supply more than 90% of Kyoto’s water supply.  Over the years the brick structure has aged gracefully (pics 6 to 8) and has become an attraction in its own right.

Behind the aqueduct is the Nanzen-in Temple, which I associate with a feeling of calm.  The gardens built around the main hall seem to offer an invitation to slow down and indeed, during the autumn, most people simply stop to enjoy the splendrous colours.  A glimpse is given by pics 9 to 12 and the gardens of Nanzen-in are certainly for meandering.

Finally, the Saisho-in Temple (pics 13 to 16) is a small sub-temple dating back to the eighth century and located close to the start of the aqueduct.  The space is embracing, which the inscription shown at pic 16 communicates far more ably than my words.

Perhaps I will return to some of these places in later blogs, but for now I hope you find this little glimpse of the Nanzen-ji complex interesting.

(Please click on any of the following images for an enlarged view.)

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Author: johnliddlephotography

Photography reflects how I see the world around me. I respond to images that interest me, which can be anything ... people, places, colour, texture ... anything at all. By sharing my photos through this blog I know that viewers will see based on their life experiences. That is the wonder of photography ... one image ... many interpretations.

4 thoughts on “Greater Nanzen-ji (Kyoto)

  1. Nanzen-ji is one of my favorite temples in Kyoto. It’s been a while since I visited there last time, and your photos really made me want to go there again!

  2. Thanks Nadja,
    I hope you’re able to visit again soon. Maybe during the cherry blossom season.

  3. Such a gorgeous post after my own heart♥

    I don’t think I was blessed to check out the Nanzen-ji this time although there is surely something about this post and wonderful pictures that feel so familiar – We did pass by the Aqueduct, an amazing structure in its own right, when we were walking about the environs of the Nijo-jo castle and blessed Ginkakuji temple, so that must be why this feels close to my heart. 🙂

    Your pictures remind me of how I felt back in Kyoto – as if one could just sit down anywhere along the way traipsing from one blessed spot to another – and just write freely from one’s heart.

    Learned anew a wonderful lightness of being that wafts over from these sweet captures, too.
    Thank you so much for sharing your warmth and light and stay precious too, my friend.

  4. Thanks B,
    Yes, there are so many jewels in Kyoto. Nanzen-ji and Ginkaku-ji and roughly linked by the Philosophers Path – a delightful walk at any time.

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