johnliddlephotography

Frozen moments from the infinity that is time


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Osaka – Dotonbori area

My time in Osaka was regretfully limited, thus I was unable to gain a good feel for the city. Similarly, my photography was also limited to a few subject areas – a limitation I can hopefully address at a future time.

Nevertheless, one forms impressions regardless of the time available and I saw enough to realise that Osaka has a personality quite distinct from that of Tokyo and its close Kansai neighbour Kyoto. By comparison with Kyoto, it presents as louder, grittier and more concerned with the present than the past. Like Tokyo, its importance as a business centre is evident, though the people present as more relaxed and less brand-conscious than in the national capital.

Before visiting Osaka I had read that it was a city obsessed with food and eating – a reputation that is well deserved. Given that Japan generally is a country where food and eating is somewhat of a national hobby, Osaka is the jewel in the crown with all varieties of restaurants and food outlets to please the most dedicated foodies. Unfortunately, I am not a foodie and cannot really add much more to this subject.

Most of the photos posted were taken in and around the Dotonbori area, which really comes alive after dark. Dotonbori is essentially a street that runs alongside the Dotonbori Canal in Osaka’s Namba ward, though the atmosphere extends to the many laneways running off the main street, as well as neighbouring streets. Given its proximity to Namba Station and popular department stores, the area attracts a wide cross-section of the community and is especially popular with the younger generations.

Its quirky feel can be appreciated by the impossible to ignore sculptures outside the Dotonbori Hotel (pic 1) and the robot-like streetlights (pic 15). Being a fan of street art, I was immediately attracted to the Peace on Earth work (pic 2), which, as well as expressing an important sentiment, created an interesting streetscape.

I mentioned proximity to popular department stores, one of which is Takashimaya shown at pic 4 with an army of people apparently exiting the store. This is a little misleading and it should be pointed out that, in accordance with Japanese practice, the very busy Namba Station is located under Takashimaya. Even as a tourist, one quickly comes to appreciate the collocation of stations with key infrastructure and there is a lesson in urban planning to be learned from Japan’s success in this area.

One of the things I came to love about Japan was the colourful signage such as those shown at pics 5 and 6, clearly aimed at appealing to the city’s obsession with food. Just as colourful and appealing are the street food vendors (pics 11 and 12), who are entertaining to watch and it is a shame that we do not yet have a way to capture the aromas of the food to match the images shown. One day perhaps!

During my time in Japan I came to the conclusion that dining is often a private/public experience and I may put together a series of images on this theme at a later stage. For the moment, I offer pics 9 and 10 showing partially obscured vision of diners enjoying their meals. My apologies for eavesdropping, but obsessions come in many forms.

My favourite images are probably those of a typical laneway (pics 7 and 8), with its lovely cobbled path and enticing signage creating a pleasant ambience. By contrast, pics 13 and 14 show sections of the main entertainment area, where the competition for trade is more actively pursued.

Finally, I have included a couple of portraits of a woman shopping (pic 16) and a cigarette seller (pic 17). The woman virtually requested the photograph by stopping and looking straight into the camera and what an interesting subject. Wearing kimono accessorized with a modern handbag and clutching the mandatory mobile phone, she is a great example of how easily Japan accommodates the old with the new.

The cigarette seller is a different story, as I had spotted him previously and had felt some sympathy for a man who gave the appearance of having a tough night. Not wishing to offend him, I sought permission to take his photograph and his disposition changed from that of glum to happy. It seems that being photographed cheered him up and made me feel good too. In fact, pic 17 became my final shot for that day. It’s always nice to end on a high note.

(Please click on any of the following images for an enlarged view.)

 


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Sayonara Sakura (Kyoto)

Sayonara Sakura is my fourth and final post on the cherry blossom season and I hope readers of this blog have enjoyed the images as much as I have enjoyed sharing them.

Once captured, an image is forever and becomes one of those frozen moments from the infinity that is time. This has allowed me the indulgence of posting cherry blossom themed photographs over four weeks, somewhat longer than the real-life experience.

To conclude this series I have selected photographs linked only by the common factor of cherry blossom. Some photos are personal favourites, whereas others revisit and extend previous themes. Allow me to make a few brief observations on select photos.

All the photos were taken in and around Kyoto, with the first photograph showing the Philosopher’s Path – a walk I made many times and a favourite place of mine in Kyoto. This photo best captures the image of the Path that I carry in my mind.

In an earlier post (March 28, 2014) I featured a number of shots taken at the Heian shrine, where the cherry blossom was simply magnificent. I had reluctantly excluded pics 3 and 4 from that post – an exclusion now remedied.

Pics 8 and 9 should be viewed together in that they show diners at different ends of the culinary spectrum, each enjoying views of nearby cherry blossom whilst dining. On the one hand there is the clean, modern lines of a fast-food establishment (pic 8) and on the other (pic 9), a row of high-end teahouses, which I have seen attended by geisha. Two polar dining experiences linked by the sakura.

Another favourite location is Ryoanji and particularly its highly renowned karesansui within a magnificent earthen wall. At pic 13 I have shown the sakura from the other side of the wall – a personal indulgence.

Those who have visited Kyoto will probably have visited the Kiyomizudera Temple in Kyoto’s Gion district. Pics 14 and 15 feature the same sakura tree at the top of the steps near the main entrance. Pic 14 is the view that greets visitors on arrival and pic 15 is the reverse view looking out over Kyoto and its surrounding hills.

I recall an earlier visit to Kyoto where I chose to capture the sunset from Kiyomizudera as my final shots of Kyoto. Somehow the final photograph of this blog seems an appropriate way to bid sayonara to the sakura until next year.

(Please click on any of the following images for an enlarged view.)

 


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Cherry Blossoms Everywhere (Kyoto)

Objects that attract admiration and generate excitement are typically those that have a measure of rarity; yet this does not apply to Japan’s cherry blossoms, except in the sense that the season is short. Indeed, in terms of supply, cherry blossom is ubiquitous. They can be found almost everywhere. In public and private spaces; in avenues of serenely subtle colour and as solitary trees lighting up otherwise desolate places; in urban and rural areas; and in meticulously tended gardens or growing untended in their natural habitat.

Wherever they are found, they enhance the space and draw attention to their surroundings. To demonstrate this I have chosen a selection of photographs taken at various Kyoto locations, which contain two common subjects, namely buildings and cherry blossoms.

The first four photographs featuring old buildings are scenes that have doubtless been enjoyed for many seasons. The welcoming view of the Sakura blossoms framed by the temple entrance (pic 1) is an invitation to enter and enjoy an interlude of quiet contemplation. By contrast, the magnificent Sakura highlighted against the classic dark timbers of old Japanese temple buildings (pic 2) stops one in one’s tracks to enjoy the visual feast. Nevertheless, the sight of blossoms through the temple doors then draws one’s attention inwards.

The Hanami scene (pic 3) is another example of a beautiful Sakura tree, framed in this instance by the structure of the Sanmon Gate, itself the subject of an earlier post (January 27, 2014) where this photograph was previously shown. Completing the sequence of sakura and older buildings is Renge-ji (pic 4), a small temple admired for its gardens and where the Buddha statues appear to be savouring the visual feast within which they reside.

I am unsure as to the history of the old industrial building (pic 5) located near the Keage Incline – a favoured Hanami spot in Kyoto. The building’s proximity suggests it may have been part of the infrastructure for the Lake Biwa canal network, though every time I passed I couldn’t help but imagine a future life as modern loft-style apartments. Residents would wake to a wonderful view at this time of year.

Pics 6 and 7 show a wide and closer shot of Sakura trees lining the canal running alongside Kyoto’s International Exhibition Hall, where the modern architecture and the timeless Sakura coexist harmoniously in yet another example of Japan’s ability to blend the old with the new.

Following is a series of five shots (pics 8 to 12) of private residences alongside the Philosopher’s Path – another popular Hanami location, as well as a pleasant walk at any time. The Sakura show an ability to enhance various architectural styles and building materials, such as timber, corrugated metal and masonry.

This ability to enhance is further shown at pics 13 and 14, where older style buildings are lifted by the neighbouring presence of cherry blossoms in bloom. Finally, at pic 15, a contemporary apartment building is similarly lifted, suggesting that whatever direction future building developments take, there will always be a place for the ubiquitous and inspiring Sakura.

(Please click on any of the following images for an enlarged view.)