johnliddlephotography

Frozen moments from the infinity that is time


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Harajuku

I first heard of Harajuku long before I visited Japan through the term Harajuku girls. The term is used to describe those (predominantly teenage girls) who enjoy dressing in theatrical costumes to take on the aura of real or fictional characters.

In the past Harajuku was a gathering point for this genre, particularly at weekends and although they are still to be seen, it would seem the popularity of garish dressing is on the decline. The area’s popularity inevitably attracted the attention of large international chain stores, which now compete with the edgier independent fashion stores for the patronage of the fashion and trend-conscious youth market. Nevertheless, Harajuku remains very much a youth oriented area and a major hub for youth culture and fashion.

Geographically, Harajuku is a relatively small area roughly covering the area between Harajuku Station and Omotesando, a more up-market area where one can find many high-end luxury brands. At this point, I should acknowledge that those who know Tokyo well would recognise that some of the photographs in this post are within Omotesando. However, geographic boundaries are often blurry and they are included as being more Harajuku in style.

Most people travel there by train and the first view is from the station platform (pic 1) looking directly down Takeshita Street, the must-see inclusion in any visit to Harajuku. Exiting the station, follow the pedestrian crossing (pics 2 & 3) directly to Takeshita Street, which is really more of a laneway with shops (pics 4 to 6) on either side. Be prepared for a crowd if visiting on a weekend (pic 7), though during the week there is more room to move (pics 8 & 9).

It’s a good place for people watching and one encounters interesting casts of characters such as those in pic 8. There is the Salaryman in his business suit seemingly interested in nothing but his mobile phone; the young attractive woman presumably wanting to be noticed and the young guy on the left who maybe doesn’t want to be noticed. This assortment of characters is typical of Tokyo where, no matter what an area’s dominant demographic might be; one invariably finds a cross-section of people from different walks of life, including those with interesting pets (pic 11).

The area also has entertaining buildings worth a second look. We often hear that land is scarce in Tokyo and perhaps one should not be too surprised to find a three-level café built from (or at least inspired by) shipping containers (pics 12 & 13).

Another standout building is The Watari Museum of Contemporary Art (pics 14 & 15), one of Tokyo’s leading contemporary art galleries. I recall turning my head when I first drove past in a taxi upon my arrival and immediately made a mental note to find the place again. As well as attracting attention to the Museum, one must applaud their promotion of art in this way. If one is wondering what the faces are looking at, the answer is on the other side of the street (pic 16). By the way, pics 16 to 18 are what I meant by Harajuku style in Omotesando.

To conclude this little walk through Harajuku I could not resist snapping the photographer on an overpass setting up his large frame camera (pic 19). What was he photographing? The Sunday afternoon crowds outside Harajuku Station of course (pic 20).

(Please click on any of the following images for an enlarged view.)


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Cherry Blossoms Everywhere (Kyoto)

Objects that attract admiration and generate excitement are typically those that have a measure of rarity; yet this does not apply to Japan’s cherry blossoms, except in the sense that the season is short. Indeed, in terms of supply, cherry blossom is ubiquitous. They can be found almost everywhere. In public and private spaces; in avenues of serenely subtle colour and as solitary trees lighting up otherwise desolate places; in urban and rural areas; and in meticulously tended gardens or growing untended in their natural habitat.

Wherever they are found, they enhance the space and draw attention to their surroundings. To demonstrate this I have chosen a selection of photographs taken at various Kyoto locations, which contain two common subjects, namely buildings and cherry blossoms.

The first four photographs featuring old buildings are scenes that have doubtless been enjoyed for many seasons. The welcoming view of the Sakura blossoms framed by the temple entrance (pic 1) is an invitation to enter and enjoy an interlude of quiet contemplation. By contrast, the magnificent Sakura highlighted against the classic dark timbers of old Japanese temple buildings (pic 2) stops one in one’s tracks to enjoy the visual feast. Nevertheless, the sight of blossoms through the temple doors then draws one’s attention inwards.

The Hanami scene (pic 3) is another example of a beautiful Sakura tree, framed in this instance by the structure of the Sanmon Gate, itself the subject of an earlier post (January 27, 2014) where this photograph was previously shown. Completing the sequence of sakura and older buildings is Renge-ji (pic 4), a small temple admired for its gardens and where the Buddha statues appear to be savouring the visual feast within which they reside.

I am unsure as to the history of the old industrial building (pic 5) located near the Keage Incline – a favoured Hanami spot in Kyoto. The building’s proximity suggests it may have been part of the infrastructure for the Lake Biwa canal network, though every time I passed I couldn’t help but imagine a future life as modern loft-style apartments. Residents would wake to a wonderful view at this time of year.

Pics 6 and 7 show a wide and closer shot of Sakura trees lining the canal running alongside Kyoto’s International Exhibition Hall, where the modern architecture and the timeless Sakura coexist harmoniously in yet another example of Japan’s ability to blend the old with the new.

Following is a series of five shots (pics 8 to 12) of private residences alongside the Philosopher’s Path – another popular Hanami location, as well as a pleasant walk at any time. The Sakura show an ability to enhance various architectural styles and building materials, such as timber, corrugated metal and masonry.

This ability to enhance is further shown at pics 13 and 14, where older style buildings are lifted by the neighbouring presence of cherry blossoms in bloom. Finally, at pic 15, a contemporary apartment building is similarly lifted, suggesting that whatever direction future building developments take, there will always be a place for the ubiquitous and inspiring Sakura.

(Please click on any of the following images for an enlarged view.)